
By Latina Bohemian
Fierce is what you can call BombayMami – artist, creative director, and storyteller of Swiss-Indian descent who blends her South Asian roots with modern R&B, pop, and cultural rhythm. Her sound is fearless, feminine, and deeply spiritual—a reminder that softness and strength can coexist. You will hear liberation through the songs.
“I don’t got no time to waste,” from Fire in Delhi channels fortitude and dares you to never underestimate your value. Through her music, visuals, and fashion, she celebrates womanhood, duality, and identity in all its forms.
Formerly known as Ta’Shan, she has rebranded her career and become an artist to watch. From her sultry tone to memorable lyrics, she says, “I don’t just make music; I build worlds where women can see themselves in every shade of divine.”
In this exclusive interview for Girl Talk HQ, we will discuss her self-reflective journey and upcoming new single ‘Jaloux’.

Latina Bohemian: How does it feel shifting into a musical path full of courage and one that inspires not just women but individuals in the LGBTQ community as well?
BombayMami: It feels like coming home to myself. Finally. I used to play it safe, thinking I had to fit into something that already existed. But now, I’m building my own lane. I’ve always been surrounded by powerful queer and femme energy, and I think that’s why I create the way I do. It’s about freedom, self-expression, and radical love. Courage is contagious, you know?
LB: You found purpose in your art after a period of trial. How did your Indian roots influence the transition?
BM: My roots brought me back to my truth. When I started reconnecting with my Indian side—the music, spirituality, and rituals—I found a peace I didn’t know I needed. It grounded me. Indian culture has this way of reminding you that beauty and pain are part of the same dance. That understanding really shaped how I create now. With more intention, more surrender, and more fire.
LB: Why is it important for South Asian women to be expressive with their creativity and body image?
BM: Because we’ve been told to shrink for too long. From our bodies, our voices, and our desires. All of it has been policed or misunderstood. But expression is sacred, whether it’s through dance, fashion, or music. It’s about reclaiming ownership of how we exist in the world. South Asian women deserve to see themselves as art, not just as tradition.
“Being a brown woman in this space means rewriting what power looks like —soft, sensual, spiritual, but never small.”
LB: Self-love is a theme in your music. When was your golden moment of finding beauty in heartbreak?
BM: When I stopped trying to fix what broke me and started thanking it. I realized heartbreak didn’t destroy me; it refined me. That was my golden moment. You start moving differently when you understand that love, even when it hurts, is still a gift.
LB: You have a new single out soon. What’s the impact you want to make in diverse societies?
BM: I want people to feel seen, whether they’re brown, queer, mixed, spiritual, or just different. My music is for the ones who never fully fit in. I want to create soundtracks for healing, empowerment, and having fun while doing it.
LB: Three words to describe where BombayMami is at presently?
BM: Aligned. Unapologetic. Glowing.
You can listen to BombayMami’s newest release ‘Jaloux,’ HERE.

